Former Mayor of Los Angeles
Schawlow Ed Stone Steven Weinberg Peter Lax Antoni Zygmund Men of Ideas The Romantic Dimension," Telos 44 Summer They were able to gain berths on the SS Noordam which left Rotterdam on August 15 and arrived New York on August 25, as shown in the immigration record, below 6. Marte-Bettina Partsch , Entfremdung und Revolution:
A Biography of Leopold Stokowski
However, with the orchestra Board seeking to cut expenses, and Stokowski seeking to expand the orchestra size and activity, a rupture resulted in which Stokowski resigned. Stokowski and Vanderbilt divorced in October Stokowski organized in the Summer of an new group called the "Hollywood Bowl Symphony Orchestra". Stoki planned to change all that. He did choose a core of players from the Philharmonic, but to these he added many of the best players who were attached to the various movie studios.
Stokowski and Judson had known each other for decades, and Stokowski understood Judson's central role as an impresario. At their meeting, Judson on behalf of the Philharmonic Board invited Stokowski to become the principal guest conductor of the New York Philharmonic.
As you can read in the biographical sketch of Artur Rodzinski , the Philharmonic was having difficulties in their contract negotiations with the Philharmonic Music Director Artur Rodzinski.
Stokowski's first Philharmonic concert was on December 26, Just weeks later, during the first week of February , Artur Rodzinski resigned from the New York Philharmonic without completing the season. The Haffner was Stokowski's only recording of a Mozart symphony, other than the May 9, acoustic recording of the third movement of the Symphony no 40 K Stokowski had given the premiere of the Charles Tomlinson Griffes tone poem The White Peacock during a concert of Friday, December 19, , along with two other Griffes compositions.
Sadly, Griffes died during the influenza epidemic only four months after this concert. Although not commercially recorded, a several good private recordings of this performance are available. Victor issued these recordings with the label: These recordings and their musicians were researched and described by the scholar and discographer James H. North, which you can read by clicking on Leopold Stokowski and "His Symphony Orchestra" , a fascinating article.
During , Stokowski was a guest conductor of orchestras in Europe and the US, including at the Festival of Britain, his first conducting in the UK since his concert of June 14, This was apparently the case, since within days, Stokowski, then age 73 had signed a three year contract as Music Director of the Houston Symphony Orchestra beginning with the season. Also, Stokowski insisted on calling the city "Hooo-stun", again perhaps not to the taste of Houstonians. However, Stokowski did bring excitement and television broadcasts, and an extensive recording program.
As well as his exciting programming and reinvigorating of the Houston musical sceen, Stokowski brought an active recording program to Houston.
His recording program included: However, Stokowski spent less and less time in Houston and in , ended his work in Houston. The ending was somewhat traumatic, as it had been in Cincinnati, Philadelphia and the New York Philharmonic. In a letter sent to the Houston newspapers, Stokowski labeled the Houston Symphony Board as being narrow and also racist.
So, in spite of several seasons of great music-making, and a string of fine recordings still admired today, the relationship did not end without fireworks. The resulting February concerts were Stokowski's first with the Philadelphia Orchestra since April 3, Not only did Stokowski reseat the orchestra to his Philadelphia seating of two decades ago, he also had restored the metal conductor's podium which had been built for him in the s.
These concerts were constructed with Stokowski's inspired programming, and were enthusiastically received by both the audience, with a sustained standing ovations, and by the critics. Stokowski's success was recreated in New York and fine transcriptions of the concerts have since been issued, including from Pristine Classical. Stokowski returned for subsequent Philadelphia seasons, including a Fiftieth Anniversary concert on February 8, , commemorating his first Philadelphia concert of October 11, Oliver Daniel wrote that " Dimitri Mitropoulos was to have conducted Puccini's Turandot at the Metropolitan Opera during February to April, , but his sudden, early death in November, at age 59 prevented this.
Stokowski was then invited by Rudolf Bing to conduct Turandot in Mitropoulos' place which Stokowski readily accepted. Despite great physical discomfort Stokowski had slipped why playing with his sons and had broken his hip in December, , Stokowski prepared thoroughly. He detected errors in the printed score of the Puccini work, involved himself in lighting and costumes, and separately rehearsed singers and chorus.
On opening night, the audience gave the cast and Stokowski an extended ovation. Since so much controversial has been written about the Stokowski Turandot performances, the lengthy details are omitted here. Some critics appreciated the sonority and brilliance of the orchestra, but others heavily criticized the lack of Stokowski cues for the singers, and the lack of the orchestra following the singers and the stage action.
Particular comment centered on the baton-less, smooth gestures, perhaps less visible in the opera house. Robert Sabin in Musical America wrote:. The stage brass could not apparently see his beat given without stick and wavered in several places, though no such catastrophe occurred as did at one performance last season, when they came in fortissimo in the wrong place The eminent critic Winthrop writing in the New Yorker wrote:. The conducting of Leopold Stokowski, who got to the podium on crutches he is still recovering from a serious accident to his hip , is extraordinarily dashing and vivid, and the cast is of such high quality that few opera houses in the world could touch it After the two performances [in December ] for which he had signed a contract, Stoki resigned Stokowski was strongly motivated by the idea to create a new, dynamic New York symphony orchestra, residing at Carnegie Hall, now that the New York Philharmonic had relocated to Lincoln Center.
Abram Chasins who knew at first hand Stokowski's opinions during that period wrote:. Never had he been more eager or ready to build an orchestra of his own - and in New York! However, Stokowski, somewhat in the manner of the All-American Youth Orchestra, auditioned and built an ensemble with a large percentage of youth, of women, and further including black and Asian musicians, in stark contrast to the established symphony orchestras. Also, ticket prices were kept low, and the programming continued Stokowski's genius for the interesting and the innovative.
The creation of the new orchestra did not proceed without problems, and in the end Stokowski needed to subsidize its creation, and bankroll its continuing financial deficits over the next decade. He also conducted without fee. Stokowski built a first line orchestra, and his programming continuing to be innovative, in contrast to the conservatism that often characterized New York City's established ensembles. And Stokowski's string of great recordings continued with the American Symphony.
Particularly remarkable was the first recording of the reconstructed score of Charles Ives Symphony no 4 recorded for Columbia on April 29 and 30, , with conductors David Katz and José Serebrier assisting in the multi-layered score.
The Ives Symphony no 4 is surely a landmark of recording by any measure. Having collected all the commercial recordings of this work I have ever seen, listening to several concert performances and listening again and again to the symphony in order to grasp it, it still seems unmatched.
Other conductors having decades more to digest and study this work have not equaled the integrity and inspiration of the Stokowski reading. Stokowski's reading will not soon be surpassed. During this period, he conducted approximately 25 concerts per season, with four rehearsals per concert.
His relocation back to England, the country of his birth reflected this focus. By the early s, recording in the United States, and particularly in New York became so expensive that the major record companies more and more restricted their recording to Europe.
Particularly in London, with its five great orchestras was easier, and much cheaper costs and musician fees, London was one of the world's most favorable locations for Stokowski's recording projects. Stokowski relocated to Hampshire, south of London in It coupled the Bizet - Symphony in C major recorded June 4, with his first commercial recording of a Mendelssohn symphony: Both are vital, energetic recordings, with the "Italian" having a springy step and invigorating reading that makes it surprising that this symphony was not a central part of the large Stokowski repertoire.
A fitting final pair for career that is, so far, unmatched in innovations and landmark recordings over 65 years. This was done through Stokowski's innovative repertoire, innovative concert formats, youth concerts, and pioneering broadcast techniques. This dissemination of music was further benefited by Stokowski's flair for promoting himself and his music and by the popularity of his stream of recordings from to Stokowski was involved in orchestral recording from the acoustic to the quadraphonic eras, and in pioneering efforts in High Fidelity and stereophonic recording with the Bell Laboratories.
Please visit the pages listed below that document this recorded legacy year-by-year. Navigation of Stokowski - Philadelphia Pages click here to go to all Stokowski - Philadelphia Orchestra acoustic recordings Stokowski - Philadelphia electrical recordings - click on the date link below First Electrical Recording other electricals - part 1 - part 2 - part 1 - part 2 no recordings Listings of Orchestra Musicians: Stokowski A Counterpoint of View. Leopold Stokowski - A Profile.
Immigration and Naturalization Service. Stokowski And The Organ. The Americanization of Edward Bok: The Autobiography of a Dutch Boy Stokowski, with Discography by Bruce Surtees. New York, New York. Find A Grave Memorial The Triumph of the American Imagination.
Knopf Doubleday Publishing Group. California enters the s. The Indiana Evening Gazette. The Music of My Time. Stokowski and All-American Orchestra. Inaugurate 24th Season 'Symphony under the Stars. Full Navigation Menu of www. Rosters of Musicians of some Great Orchestras: Other Information about Leopold Stokowski: Leopold Stokowski and Development of Recording: Victor Talking Machine Company, Eldridge Johnson, et le développement de la technologie d'enregistrement acoustique.
Développement de l'enregistrement électrique. Philosophy of the Social Sciences 2: Fredric Jameson , "Herbert Marcuse: Towards A Marxist Hermeneutic," in: Richard King , The Party of Eros: University of North Carolina, Text partially available at Questia.
Paul Goodman 78 4. Herbert Marcuse 5. Dick Howard and Karl E. European Marxism since Lenin New York: Marcuse and his Critics," in: Paul Mattick , Critique of Marcuse: Crítica de Marcuse Editorial Grijalbo, Barcelona, Bhikhu Parekh , "Utopianism and Manicheism: A Critique of Marcuse's Theory of Revolution," in: Series Sir George Watson lecture, delivered 16 March Enrique Vidal Abascal , La ciencia y la universidad socializada.
Marcuse y los movimientos estudiantiles Madrid, Editorial Dossat, , p J. Warren Wagar , Good Tidings: Contents and first pages of chapters available at Questia. Peter Clecak , Radical paradoxes: Dilemmas of the American left: R3 C55 ] Contents: Radical paradoxes -- pt. The argument -- C. The new Left -- The future of socialism. Sam Girgus , "Howells and Marcuse: A Forecast of the One-Dimensional Age," in: Martin Jay , The Dialectical Imagination: UC Press, , , p.
Die Geschichte der Frankfurter Schule u. A Bibliographic Essay," in: Journal of the British Society for Phenomenology , 4: Jean Marabini , Marcuse et Mc Luhan: Mame, , p. Bloch, Camus, Fichte, Hegel, H. Gütersloher Verlagshaus Mohn, , p. Jean-Michel Palmier , Marcuse et la nouvelle gauche Paris: Belfond, , p. Empire State College, , 12 p. Empire State study modules [WorldCat: Anshen , "Authority and Power: Erich Fromm and Herbert Marcuse," in: Journal of Social Philosophy 5, , David McLean Bethune , The politics of liberation: Cohen , Marcuse, le scénario freudo-marxien Paris: Editions universitaires, , p.
De Vitis , "Marcuse on Education: Social Critique and Social Control," in: John Fry , Marcuse, Dilemma and liberation: A Critical Analysis Stockholm: Humanities Press, , c Erik von Kuehnelt-Leddihn , Leftism: Reich, , 52 p. Series Evangelische Zeitstimmen, Sidney Lipshires , Herbert Marcuse: From Marx to Freud and beyond Cambridge, Mass.
Winter , pdf Heinz Paetzold , Neomarxistische Ästhetik Düsseldorf: Carlo Sigismondi , Marcuse e la società opulenta Rome: Zima , L'école de Francfort: Joanna Adams , Social criticism and education: Otto Finger , Philosophie der Revolution: Studie zur Herausbildung der marxistisch-leninistischen Theorie der Revolution als materialistisch-dialektischer Entwicklungstheorie und zur Kritik gegenrevolutionärer Ideologien der Gegenwart Berlin: Michel Haar , L'homme unidimensionnel: Hatier, , 80 p.
Stuart Hughes , The Sea Change: Muller syllabus ] Staat und Recht , Bd. Reinhart Maurer , Revolution und Kehre: Studien zum Problem gesellschaftlicher Naturbeherrschung Frankfurt: A Dialogue on Feminism: Herbert Marcuse meets Kate Millett. Linda Brown , "dialog: Off Our Backs 5: Christa Schwens , Braucht Kunstpädagogik eine Sinntheorie?: Craig Evan Wollner , Modernization and discourse: Skinner and Herbert Marcuse as studies in the social foundations of intellectual history since Ann Arbor, Mich.: Die freudo-marxistische Theorie der sozialen Revolution bei Herbert Marcuse," Persona y Derecho , 3 , pdf Coleman , Modern man and adult education: Hans Heinz Holz et al.
B ürgerliche Protestbewegungen in der Philosophie: Political Science Review , David Kettler , "Herbert Marcuse: The Critique of Bourgeois Civilization and its Transcendence," in: Anthony de Crespigny and Kenneth Minogue eds. Methuen, , Only the rarest HM cognocenti know this long article well enough to excoriate it. Review of Social Economy New German Critique 8 Spring , pp.
Wolfgang Trautmann , Gegenwart und Zukunft der Industriegesellschaft: Ein Vergleich der soziologischen Theorien Hans Freyers u. Eric Volant , E jeu des affranchis: Confrontation Marcuse-Moltmann , préf. Fides, , p. Men of Ideas University Press of America, , p. Stefan Breuer , Die Krise der Revolutionstheorie: Syndikat, , p.
Revision of author's dissertation Berlin, Freie Univ.: Davydov, Jurij Nikolaevic , Kritika sot? Nauka, , p. Kritika sociaàlno-filosofskich vozzrenij Frankfurtskoj skoly ] John Fremstad , "Marcuse: The Dialectics of Hopelessness," in: The Western Political Quarterly Gad Horowitz , Repression: University of Toronto Press, , p.
Verlag Andreas Achenbach, , 75 p. Lawrence Paul Litecky , Marcuse: Messiah and, or monster? University of Minnesota , Bl. Robert Edward Moran , Marcuse's "New man": Frederick Olafson , "Heidegger's Politics: An Interview with Herbert Marcuse," in: Graduate Faculty Philosophy Journal 6: Fragen an Herbert Marcuse zu Martin Heidegger," in: Befreiung Denken , Ernst Friedrich Sauer , Amerikanische Philosophen: Kersting, , p.
Volker Spülbeck , Neomarxismus und Theologie: Herder, , S. Rudi Dutschke , "Pfad-Finder: Some Creators of Contemporary Philosophy London: British Broadcasting Corporation, , pp.
Myriam Miedzian Malinovich, " Herbert Marcuse in An Interview," Social Research Towards a Marcuse-Jung Synthesis," in: Multhipla, , 47 p. L'arte e il gioco -- Sull'amore e l'erotismo -- l'Androgino e il movimento di liberazione della donna -- Sulla morte -- Herbert Marcuse: Tom Bourne , "Herbert Marcuse: Grandfather of the New Left," in: The Magazine of Higher Learning Margaret Cerullo , "Marcuse and Feminism," in: New German Critique No.
Amsterdam] cited by R. Humanities Press, ; Berlin: Argument, , p. L83 D86 in this footnote RD says that she mentions a conversation with Herbert about the "mature Marx's" concept of "labor as the creative self-activity of humanity. Horst Herion , Utopische Intention und eschatologische Perspektive: Marcuses Herausforderung an die christliche Sozialethik Frankfurt: Lang, , S.
Literatur als Utopie Lampertheim: Kübler, , p. Julka , "Herbert Marcuse's Messianic Humanism: Politics of the New Left," in: Katz, "Praxis and Poiesis: Toward an Intellectual Biography of Herbert Marcuse," in: New German Critique no. New German Critique , No. Ashis Nandy , " Herbert Marcuse: Metapsychologist, Alternatives , 5: Karl-Heinz Sahmel , Vernunft und Sinnlichkeit: Forum Academicum in d. Verlagsgruppe Athenäum, Hain, Scriptor, Hanstein, , p.
Jahrbuch Arbeiterbewegung 6, , Las dos muertes de Marcuse," in: El Ciervo , Año 28, No. Marxistische Blätter , Essen, 17 , S. Steuernagel , Political Philosophy as Therapy: Marcuse Reconsidered Westport, Conn.: Greenwood Press, , p. Thobaben, Reviewed Work s: Political Philosophy as Therapy: Iring Fetscher , "Phänomenologie und Historischer Materialismus: Herbert Marcuses philosophische Anfänge," in: Neue Zürcher Zeitung , Fernausgabe, Nr.
März [HAB Weimar] David Held , Introduction to Critical Theory: From Horkheimer to Habermas Berkeley: University of California Press, , p. Barry Katz , Praxis and Poiesis: The Romantic Dimension," Telos 44 Summer Luke , "Marcuse's emancipatory politics," microform, prepared for delivery at the annual meeting of the American Political Science Association, Washington, D. American Political Science Association.
Proceedings 76th [UCB] Herbert Schnädelbach Hamburg , " Betrachtung eines Unzeitgemässen: Morton Schoolman , The Imaginary Witness: Collier Macmillan, c , p; bibliography: Durbin in Technology and Culture Vol.
Antonio in Contemporary Sociology Vol. Jean-Paul Thomas , Libération instinctuelle, libération politique: Le Sycomore, , p. Zur Kritik der 'Kritischen Theorie'. Editorial RIN, , p. Feminismus als weibliche Negation? Cornell University Press, Vincent Geoghegan , Reason and Eros: Pluto, , p. Jürgen Habermas , Philosophisch-politische Profile , , A Conversation with Herbert Marcuse," in: Hans-Dieter König , Libido und appetitus: Germinal-Verlag, , S.
An Interview ," in: Moran , Marcuse's "New man": Exposition and a Christian dialogue Ann Arbor, Mich.: Forum Academicum in der Verl. Herbert Marcuse Köln, Dt. A, , S.
Zahn , "Herbert Marcuse: Die Utopie der Glücklichen Vernunft," in: Ben Agger , "Marcuse's Freudian Marxism," in: Studi di Sociologia , Anno 20, Fasc. John Burrill , Marcuse and Freedom Stockholm: Stockholms Universitet, Avdelningen för idéhistoria, , 27 leaves. Martin Jay , "Anamnestic Totalization: Reflections on Marcuse's Theory of Remembrance," in: Theory and Society An Intellectual Biography London: Schocken Books, , p pp.
The Journal of Politics Vol. Europäische Verlagsanstalt, Frankfurt am Main: Fischer, text excerpts Egon Viesel , Gesellschaftstheorie, Sprachanalyse und Ideologiekritik: Dialectical Anthropology Amsterdam , 8: Rudi Dutschke , Die Revolte: Wurzeln und Spuren eines Aufbruchs Reinbek bei Hamburg: Rowohlt, Spanish: José Jiménez , La estética como utopía antropológica: Bloch y Marcuse Madrid: Tecnos, , S.
A, , Bl. Pontificia, , S. Peter Prechtl , Bedürfnisstruktur und Gesellschaft: Lewis Pyenson , Neohumanism and the persistence of pure mathematics in Wilhelmian Germany Philadelphia: American Philosophical Society, , p. Memoir, about math teaching Ulrich Gmünder , Aesthetik, Wunsch, Alltaeglichkeit: Fink, , S. The Phenomenological Heritage Manchester: Abstract at Telos website. Gerd Kleinstück , Das Menschenbild des ethischen Sozialismus: Issues in Radical Therapy Wolfgang Abendroth , Die Aktualität der Arbeiterbewegung: Beitrag zu ihrer Theorie und Geschichte Frankfurt am Main: Suhrkamp, , S.
Alford , Science and the revenge of nature: University Presses of Florida, , p Contents and first pages of chapters available at Questia. The Issues Involved 1 2.
Freedom and Labor in Marcuse's Early Works 21 3. The Ground of Absolute Freedom in Eros 37 4. Science and Survival 69 6. Habermas' New Science 9. Reconciliation with Nature or New Categories of Experience? Ross Fitzgerald , " Human Needs and Politics: The arti- cle also demonstrates how the notion of "need" itself coalesces "is" and "ought" and argues how a politics based on a theory of human needs has dangerous authoritarian implications and involves a denial of individual freedom.
Friesenhahn , Kritische Theorie und Pädagogik: Express, , p. Gerhard Gamm , Angesichts objektiver Verblendung: Über die Paradoxien Kritischer Theorie Tübingen: Ulrich Gmünder , Kritische Theorie: Horkheimer, Adorno, Marcuse, Habermas Stuttgart: Metzler, , p.
Daniel Innerarity , " Dialéctica de la liberación. La utopía social de Herbert Marcuse, Anuario filosófico, Dominque Janicaud , "Critique de la rationalite marcusienne," in: Diffusion, Les Belles Lettres, , p. Jacob Klapwijk , Philosophien im Widerstreit: Erhard Koch , Eros und Gewalt: Untersuchungen zum Freiheitsbegriff bei Herbert Marcuse Würzburg: Berthold Langerbein , Roman und Revolte: Centaurus, , p.
Peter Lind , Marcuse and Freedom London: Croom Helm, , p. Lukes , The Flight into Inwardness: Lee Ann Osbun , The problem of participation: Roland Roth , Rebellische Subjektivität: Campus, , p. Cincel, , S.: Axel Honneth, Albrecht Wellmer eds. Referate eines Symposiums der Alexander von Humboldt-Stiftung vom Dezember in Ludwigsburg , Harvest House, , p. Fred Alford in Contemporary Sociology Vol. Horkheimer und Marcuse," in: André Vachet , Marcuse, la révolution radicale et le nouveau socialisme: Editions de l'Université d'Ottawa, , p.
Rolf Wiggershaus , Die Frankfurter Schule: Hanser, , p; Bibliography: Lang, , p. Ben Agger , "Marcuse's Aesthetic Politics: Ideology-Critique and Socialist Ontology," in: Columbia University Press,, , pages. Kelly , "Possessing Leisure: VEblen and Marcuse Reconsidered," in: World Leisure and Recreation Thorstein Veblen presented leisure as an economic symbol of social status.
Herbert Marcuse argued that leisure is part of the one-dimensionality of alienated life defined in terms of possessions and market participation. Free and self-determinative action is reduced to choices of products and packaged experiences. Leisure as earned time and purchasing power is one aspect of buying into the capitalist system designed to protect and reward investment capital first. Such alienated leisure is compared to concepts of leisure as action and creative freedom.
However, research into what most people actually do and the meanings they ascribe to their activity suggests that neither the commodification critique nor the creative ideal adequately explain the diversity of contemporary leisure.
Neither, on the other hand, is without analytical merit. The differences are partly based on perspectives. Each approach asks different questions.
Veblen and Marcuse are probably both right… and incomplete. Another metaphor is offered to augment the themes of status symbolism and repressive commodification. Evidence for any perspective, however, is incomplete. Marte-Bettina Partsch , Entfremdung und Revolution: Nicht für den Austausch Webel et al , Marcuse: University Press of America, c , p. Eric Wainwright , "Herbert Marcuse: Freedom and Dialectic," Politikon: South African Journal of Political Studies This article is mainly concerned with the analysis and evaluation of Marcuse's conceptualisation of freedom.
Marcuse differentiates between the realm of freedom and freedom itself — which exists independently of the realm of freedom. The point is made that freedom from want is the substance of all other forms of freedom. The article subsequently focuses on the theoretical and practical considerations of Marcuse's dialectic, followed by a consideration of the factors that limit the possibilities for the attainment of freedom.
Man's movement to freedom, a new genesis for all men, is symbolised in the end of alienation. The article concludes with some points of criticism on Marcuse's use of the dialectic, his belief in the power of destruction, and his idea of conversion. Ideological and Socio-Historical Context," in: Heinz Ludwig Arnold ed. M H47 Spanish: Bolivar Meza, Rosendo , Tendencias actuales de la izquierda en México: The index lists pp.
Maslow's journals are full of critical references to Herbert, and ambivalent to Frank whom he sees as "betraying" him at the time of Herbert's departure to San Diego but Manuel remained a friend, and delivered a eulogy at Maslow's funeral. Maslow's biography describes Herbert's leaving of Brandeis or non-renewal of contract as a political act by its president, and Manuel's departure, along with others as one of solidarity with Marcuse.
But then I see that later Manuel is professor emeritus at Brandeis, Heinz Jansohn [et al. Joan Nordquist , Herbert Marcuse: A Bibliography Santa Cruz, Calif.: Reference and Research Services, , 60p.
Introduction to social theory: Pippin, Andrew Feenberg, Charles Webel eds. Critical Theory and the Promise of Utopia Basingstoke: Michael Walzer , The company of critics: Ssocial criticism and political commitment in the twentieth century New York: Basic Books, , p.
Dobson , The concepts of reason and essence in the writings of Herbert Marcuse: With special emphasis on the period , Thesis Ph.
Gvozden Flego und Wolfdietrich Schmied-Kowarzik eds. Marcuse-Symposion in Dubrovnik Giessen: Germinal, , p. Katz was born in Philadelphia , Pennsylvania. David's interest in theater was sparked by stories of his great-grandfather who was a Yiddish theater producer on the Lower East Side of New York City. Katz attended Chestnut Hill Academy and graduated from The Hun School of Princeton , where in he founded their modern crew program.
Katz was the spokesman for Fiddler on the Roof star Topol when he made the controversial move of temporarily leaving the Broadway revival of the show during the first Gulf War to return to Israel as it was weathering scud missile attacks.
Katz wrote the movie The Pest  which has gathered a cult following due to its unusual premise. The Houston Chronicle called the film "Endearing". Julie Newmar and Spawn. Katz co-created, wrote and was a supervising producer for the Emmy-nominated FOX television show House of Buggin' ,  the first all- Latino comedy show in network history. A Love Story" Emmy Nomination. This project originated when Katz received an Alfred P.
At Fox Searchlight Bar Katz is penning a script based on the true story of Clark Rockefeller, a man who took on false identifies for decades, one of which was a Rockefeller. This project is reportedly far into development. It also on The Blacklist, a list honoring the best screenplays that have not yet been filmed.